Wittgenstein's Most Beloved Quote Was Real, But It's Fake Now
A serious and good philosophical work could be written consisting entirely of fake philosophy quotes.
The complete chronological archive.
A serious and good philosophical work could be written consisting entirely of fake philosophy quotes.
Who owns the memes? How dare we ask such a laughable question?
Simon Evnine responds to Vulliamy's recent article on the definition of memes.
The logic of capitalism is reproduced in online communities as circlejerks, where quantified affirmation supplants monetary profit. Like capitalism, democratized Internet culture is inadequate to its own promise of freedom. Originally published in 2017.
A cluster definition of memes, taking into account memographic practice, comedy, public shareability, use of images and/or text, digitality, appropriation, anonymity, ephemerality and stylistic resemblance to other memes.
A Modern Synthesis of art criticism is possible.
GamerGaters were correct in their assessment of gaming culture and the games industry precisely because of the conspiracy theoretical nature of their campaign.
A central theme of post-2015 memecultures was the gamification of memes. This gave rise to Facebook memepages as well as a "meme president". Post-2020 memecultures now struggle with the challenge of the cope, which is an inevitable consequence of creating new games with a loss condition.
In this article, I explore the new metaphysics of memes that developed throughout the 2010s. I use three distinct perspectives to approach this vast subject matter: time; place; and, process.
All technology exerts some epistemic influence on the observer, and this is often epistemologically relevant; the proper function of philosophy is to study the epistemic effect of technology, and to design and produce epistemically useful technology; localised agreements rather than shared beliefs, entailed by the use of common technology, are sufficient foundations for philosophical discourse.
Some conservatives claim that the free market saved Korea from COVID-19. I argue that it was Korea's Confucian democracy and technological environment that helped them contain the pandemic, not the lack of supply side regulation.
Fundamental Concepts In International Meme Studies: Jjalbang, the Korean Meme
The importance of the 2010's to meme history was not in its novelty but its scale. During the 2010's, the world reached a cultural boiling point as the underground spilled out irreversibly into the mainstream and destroyed the boundaries between the two.
I think of every gondola post as a shrine, for people to come together and appreciate them in a spiritual way.
All memes are from the future: the literate memer anticipates that the meme will spread and change in meaning depending on where it gets reposted.
A group assignment activity for philosophy students at the undergraduate level, which can be applied in tandem with existing curricula. Consists of a way to standardise the work of each individual student such that each student’s contributions to the group assignment fits in seamlessly with the other team members’ contributions, and a way to apply the system to the specific course material being assessed.
Like a panel in a highly networked version of the Infinite Canvas, every meme is both a potential bottleneck and a possible choice. Since the sense that every meme has a preceding meme is essential to the appreciation of memes, the memetic bottleneck works in the inverse direction of the narrative bottleneck, generating potential pasts. To choose a meme to post is to choose which game to play with the audience. More significantly, it is to choose which save file to load up: it's scenario editing of history, conditioned on current mood.
Memes are made by shitposters that live in the meatspace, which makes them affected by human schedules. It's a trivial point, but the schema of memes as semi-independent entities that float around on the sea of the Internet is too popular for this point not to be insightful.
Seong's thesis on the memeticist's challenge (2018). Supervised by Diane Proudfoot and Douglas Campbell, and completed at the University of Canterbury.
Two dimensions stand out that make the two templates the same: 1. the structure (aversion/affirmation) 2. the content (rappers in music videos)
A basic framework for understanding the interplay between visual structure, conceptual organization, visual perception and meaning-making in collage memes that don't contain any text.
What I have here is a modest proposal to talk about the more obvious quality of memes as microexpressions of how we think about character, narrative and imagery. This is about when memes act as images of human action.
It's a great example of how shaky the definition of 'Internet meme' as 'a funny image or video clip' really is. Are these photos each a meme, or do they compose a single meme through being viewed together?
The notion of authenticity in online celebrities is concurrent with the notion of authenticity in Internet memes (cf. forced memes) mimics the notion of authenticity in fictional characters (cf. fanon).
Tracing back techniques used in memes to modern art is a safe bet, because it's only natural that memers will use whatever tools are available to make better memes.
The archetypal online community is specialised in its collective interests, hostile to outsiders, particular about its tastes and difficult for normies to get into. Knowledge and skill, especially when useful for creating relevant content for the community, is highly valued; "otaku" is the Japanese equivalent of the "autist".
Post-ironic memes are great because they are meaningful. Meaningful memes bring us closer to the dream of the timeless meme, just like early comics artists who aspired towards serious literature with an ostensibly unserious medium.
The meme means different things to different viewers as a matter of degrees, not a matter of either getting the joke or missing it, or reading it ironically or not.
In 2017, at the time of writing, most readers will find it difficult to imagine how different the dynamics of the meme community were in 2014. The sum of every memepage at the time, duplicates or no, was far smaller than a single large memepage active today.
Sites of content production in Web 2.0 are strategic assets which make up the terrain of political conflict in hyperspace.
The following is my take on doing the same for online subcultures. I do this by clarifying the definitions of three highly popular terms used on the Internet to describe different kinds of subcultural participants, and clarifying the concept of the ironist in the context of online subcultures.
I think there's a school of ‘Internet philosophy’ like there is continental philosophy or Anglo-American philosophy, with its own dominant interests and a unique style of discourse. I'm trying to figure out what this consists of. It's a combination of demographics, dominant areas of interest (both within and without strict philosophy) and conventions and canons unique to the school.
This article focuses on the ironic meme community and the geography of Facebook memepages.
The Ironic Meme Movement was a reaction against the mainstream co-option of the subcultural products of the underground; an attempt to create incorruptible inside jokes. The Ironics employed defensive strategies which paralleled that of the punks against the commercialization of their own subculture. Like the punks, they failed.
Normies are users with low memetic literacy or fluency. Trash Dove is a normie meme. That might very well change in the future.
Seong's thesis on Internet memetics (2016). Supervised by James Maclaurin and Greg Dawes, and completed at the University of Otago.
On Park Geun-Hye, Choi Soon-Sil, Ilbe, meme magic, and the rage of watching Korean democracy dragged through another cult of power.
We have seen in recent months the blossoming of a protest movement in Weird Facebook, a Meme Alliance of users and memepages wearing pink profile-pictures -- Facebook flags upside-down, signaling S.O.S. -- demanding satisfaction for Zuckerberg’s censorship of their content via automated moderation systems. Though their efforts have served as a coming-out of sorts for meme-scene activists, the failure of the Meme Alliance’s tactics to register demands a reconsideration of the terrain of struggle.
I stayed up all night, again, playing Pokemon Red with the Internet hivemind; ~60,000 monkeys banging on keyboards: up/down/left/right/a/b/start. The 3rd Millennium has brought with it endless possibilities for collective experience and, therefore, endless experiments in mass-politics. Each new project offers a different method for the users to organize their world through action, and each new project propels itself by bringing order to those actions
‘R.I.P. Harambe’ no longer means R.I.P. Harambe, but rather, ‘we remember a dead fictional being based off a real dead being inside of a living meme’.
I just found a really strange website where a guy claims Zen is a scam and that he's figured out how to solve any koan. He even provides a Free Zen Riddle and Koan Service through which you can email him a koan and receive an answer.
I was walking home from a friend's place yesterday when I saw a few children chasing each other and play fighting. As I walked past, I heard one tell the other, 'get wrecked!' I wondered whether they learned it from video games they play (my guess was either LoL or DotA, but it could be one of those FPSs) or from older kids (or perhaps, most befittingly, even older kids online!) they know such as their older siblings.
We are faced not with a conflict of political affinity, but instead a problem grounded in a disagreement over whether the design of platforms can substitute for social norms: does digital freedom find its limits at the codework constraints of social media sites, in their manmade spaces of programmed possibility, or can digital freedom only exist in the presence of a robust, just, and enforced set of social norms?
The problem is causality. And no: shouting at me won’t make it less true.
Where have all the Long Boys gone? (Plus an exclusive interview with Special Meme Fresh)
If you have an Internet connection, then you must have noticed how Leonardo DiCaprio’s face and name have infected your computer like some celebratory virus. Everyone is talking about Leo.
Revised model of the four quadrants model of irony.
A working glossary for ironic meme theory, from normies and autists to meta-irony, normification, and the phylomemetic tree.
On some parts of the Internet the term ‘normie’ is used to define anyone who does not fully comprehend the humour and language of certain communities. A normie is usually seen as someone who has a social life outside of the Internet, and who does not know, or care, about its obscure customs. In this particular case, the term is as much an accusation as a label, expressing disdain toward anyone who is unaware of the growing community of Ironic memes.
Undertale is a game that's very difficult to convince people to play, which is a huge shame because it's probably one of the most affecting games produced in the last 10 years.
There's a new meme becoming popular in the Anglosphere called Gondola. It's a derivative of Spurdo Sparde with no arms or dialogue, generally walking around in various scenes from classic artworks to everyday life. I think they could be most easily characterized in opposition to Pepe or Spurdo, both of whom are subversive in the classically Ironic Meme style of inappropriateness. Pepe will murder Wojak over and over while Spurdo will spout every satirizable position in misspelled and poorly drawn way possible. As usual, everyone's worry is about how normies will ruin Gondola. Not if or when; it's taken for granted that Gondola will become corrupted.
I have been developing a theory of Internet Memes, through which I hope to operationalize memetics for the scientific analysis of Internet Meme culture. Here is a case study I used to test and develop some of my models.
Memes are not just art they are art-concepts, necessarily materialized cybernetically. This means their analysis must always be two-tiered, firstly, memetic; secondly, aesthetic.
How Facebook meme pages briefly became a new artistic medium, pushing ironic memes from curation and shitposting toward meta-irony.
Honestly, I miss this meme. I guarantee that Pepe the Frog is going to become the biggest 'normie' meme of all time. It's popular with high school kids, who are basically the equivalent of university activists in the world of internet culture.
It seems to me that 'quotes' such as these which become canon in the public psyche take on a special kind of force that highlights the close relationship between truth and beauty, as well as the fact that the two are not one and the same--although (I hope you will agree) truth is often beautiful, and there is always some truth in beauty.
We, the artists of the future, refuse to be the plaything of politics.