I report the results of a prompt engineering experiment on DALL-E 2 involving different Japanese-to-English translations of the Frog Haiku by Matsuo Bashō (松尾 芭蕉, 1644 – November 28, 1694).
A basic framework for understanding the interplay between visual structure, conceptual organization, visual perception and meaning-making in collage memes that don't contain any text.
What I have here is a modest proposal to talk about the more obvious quality of memes as microexpressions of how we think about character, narrative and imagery. This is about when memes act as images of human action.
It's a great example of how shaky the definition of 'Internet meme' as 'a funny image or video clip' really is. Are these photos each a meme, or do they compose a single meme through being viewed together?
Tracing back techniques used in memes to modern art is a safe bet, because it's only natural that memers will use whatever tools are available to make better memes.
There's a new meme becoming popular in the Anglosphere called Gondola. It's a derivative of Spurdo Sparde with no arms or dialogue, generally walking around in various scenes from classic artworks to everyday life. I think they could be most easily characterized in opposition to Pepe or Spurdo, both of whom are subversive in the classically Ironic Meme style of inappropriateness. Pepe will murder Wojak over and over while Spurdo will spout every satirizable position in misspelled and poorly drawn way possible. As usual, everyone's worry is about how normies will ruin Gondola. Not if or when; it's taken for granted that Gondola will become corrupted.