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I have been developing a theory of Internet Memes, through which I hope to operationalize memetics for the scientific analysis of Internet Meme culture. Here is a case study I used to test and develop some of my models.

The history of the ironic meme movement presents a microcosmic example of the rise and fall of a postmodern artÔÇöcontemporary art historians have much to learn from its progression.

Memes are not just art they are art-concepts, necessarily materialized cybernetically. This means their analysis must always be two-tiered, firstly, memetic; secondly, aesthetic.

Honestly, I miss this meme. I guarantee that Pepe the Frog is going to become the biggest 'normie' meme of all time. It's popular with high school kids, who are basically the equivalent of university activists in the world of internet culture.

We, the artists of the future, refuse to be the plaything of politics.